Secrets of the biggest selling launch ever


Apple reports that on the first day they sold more than $150,000,000 worth of iPads. I can’t think of a product or movie or any other launch that has ever come close to generating that much direct revenue.

Are their tactics reserved for giant consumer fads? I don’t think so. In fact, they work even better for smaller gigs and more focused markets.

  1. Earn a permission asset. Over 25 years, Apple has earned the privilege of delivering anticipated, personal and relevant messages to their tribe. They can get the word out about a new product without a lot of money because one by one, they’ve signed people up. They didn’t sell 300,000 iPads in one day, they sold them over a few decades.
  2. Don’t try to please everyone. There are countless people who don’t want one, haven’t heard of one or actively hate it. So what? (Please don’t gloss over this one just because it’s short. In fact, it’s the biggest challenge on this list).
  3. Make a product worth talking about. Sounds obvious. If it’s so obvious, then why don’t the other big companies ship stuff like this? Most of them are paralyzed going to meetings where they sand off the rough edges.
  4. Make it easy for people to talk about you. Steve doesn’t have a blog. He doesn’t tweet and you can’t friend him on Facebook. That’s okay. The tribe loves to talk, and the iPad gave them something to talk about.
  5. Build a platform for others to play in. Not just your users, but for people who want to reach your users.
  6. Create a culture of wonder. Microsoft certainly has the engineers, the developers and the money to launch this. So why did they do the Zune instead? Because they never did the hard cultural work of creating the internal expectation that shipping products like this is possible and important.
  7. Be willing to fail. Bold bets succeed–and sometimes they don’t. Is that okay with you? Launching the iPad had to be even more frightening than launching a book…
  8. Give the tribe a badge. The cool thing about marketing the iPad is that it’s a visible symbol, a uniform. If you have one in the office on Monday, you were announcing your membership. And if it says, “sent from my iPad” on the bottom of your emails…
  9. Don’t give up so easy. Apple clearly a faced a technical dip in creating this product… they worked on it for more than a dozen years. Most people would have given up long ago.
  10. Don’t worry so much about conventional wisdom. The iPad is a closed system (not like the web) because so many Apple users like closed systems.

And the one thing I’d caution you about:

  1. Don’t worry so much about having a big launch day. It looks good in the newspaper, but almost every successful brand or product (Nike, JetBlue, Starbucks, IBM…) didn’t start that way.

A few things that will make it work even better going forward:

  1. Create a product that works better when your friends have one too. Some things (like a Costco membership or even email) fit into that category, because if more people join, the prices will go down or access will go up. Others (like the unlisted number to a great hot restaurant) don’t.
  2. Make it cheap enough or powerful enough that organizations buy a lot at a time. To give away. To use as a tool.
  3. Change the home screen so I can see more than twenty apps at a time (sorry, that was just me.)

As promised, the folks at Vook made their deadline and were ready on launch day. It’s early days, but it’s pretty clear to me that the way authors with ideas will share them is going to change pretty radically, just as the iPad demonstrates that the way people interact with the web is going to keep changing as well.

[It turns out that Modern Warfare 2 did far better in its launch than the iPad. Thanks Jon, for the update].

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The Wordperfect Axiom


When the platform changes, the leaders change.

Wordperfect had a virtual monopoly on word processing in big firms that used DOS. Then Windows arrived and the folks at Wordperfect didn’t feel the need to hurry in porting themselves to the new platform. They had achieved lock-in after all, and why support Microsoft?

In less than a year, they were toast.

When the game machine platform of choice switches from Sony to xBox to Nintendo, etc., the list of bestelling games change and new companies become dominant.

When the platform for music shifted from record stores to iTunes, the power shifted too, and many labels were crushed.

Again and again the same rules apply. In fact, they always do. When the platform changes, the deck gets shuffled.

Think this only applies to software?

The platform for healthcare changed from independent doctor’s offices and small practices to hospitals and hmos.

The platform for TV changed from airwaves to wires (so HBO and ESPN win, NBC loses).

The platform for cars is changing from gas engines to alternatives.

And the platform for books is changing (fast!) to e-books and readers. Just published today: the Vook multimedia production of Unleashing the Ideavirus. The price will increase to $5 in two weeks, but right now it’s 99 cents. It runs on the web and on your iphone [try this link too] (and the iPad on April 3rd.)

Here’s the thing: Vook abridged it, built it, filmed it and distributed it in less than ninety days. They have a software application that they can use again and again for other titles. They’ve organized themselves to be profitable at a profit margin that few big book publishers can match.

Once again, the platform changes. Insiders become outsiders and new opportunities abound.

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iPad app of my dreams: the digital talking pad


Here’s the spec. If you build it and it’s great, I’ll use it and I’ll blog it.

A while ago, I posted about the talking pad and a modern version of it.

I think there’s a killer app version of this for the iPad, and I hope someone will build it. The talking pad is an interactive presentation tool for smart people.

Overview

It’s a very simple concept: a collection of pages (slides, images, type, let’s call them pages) that are easy to navigate in a non-linear way. Along with the standard zoom features, I’d like to be able to write on any of them in real time using my finger. I can also call up, on demand, a calculator or a blank drawing pad.

Creation

I can create the talking pad files on my Mac or on the iPad using a builder app, and sync both ways. The builder is really simple, just the ability to organize pages I create in other apps, with simple navigation, scale and type tools.

Navigation

Instead of it being linear (like Powerpoint or Keynote), the pages are arranged in a grid or checkerboard. From any page, then, I can go back, forward, up or down, and the four diagonals as well. So depending on the conversation I’m having with my audience, my ‘next’ page can be any of 8.

In addition, the app supports an external monitor. When I’m hooked up to the projector or screen, I see twenty or thirty of my pages in thumbnails on my ipad screen, and I can click any of them to instantly bring that page up on the projector.

In essence, I want to be able to play a presentation the same way some people play jazz piano.

As a prompt, each corner and side of the page can have little keyword reminders, so I can easily remember, for example, that pressing the bottom left corner of the page about dogs will display the page about tigers.

So now, someone asks a question and I can just jump to the slide that answers that question. If I want to circle something or zoom in, I just put my finger on the screen and do that.

Bonuses:

1. the ability to have one of the pages be a web browser with address already loaded, so if I want, without leaving the talking pad app, I can jump to this.

2. the ability to embed links within the pages, so I can actually have a page that points to other pages (this is currently built into keynote and powerpoint, but people don’t use it because those programs are so linear). In essence, a page becomes a piano keyboard with each key pointing to another page.

Reporting

The app can keep track of which pages I used the most, and for how long. This is useful in a corporate setting. Imagine that the sales manager dreams up a talking pad file and offers it to 100 salespeople. Every day, when they re-sync, we can see how often the pad was used and which slides got used the most often.

The Killer App

A killer app is a program that all by itself is good enough to justify the price of the hardware. The killer app for the PC was Lotus 1-2-3. The killer app for the iPod was iTunes. This is reason enough to pay $500, I think.

PS I’ve received so much interest in this I’ve started a wiki on this topic so you can find fellow travelers.

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Who will save us?


Who will save book publishing?

What will save the newspapers?

What means ’save’?

If by save you mean, “what will keep things just as they are?” then the answer is nothing will. It’s over.

If by save you mean, “who will keep the jobs of the pressmen and the delivery guys and the squadrons of accountants and box makers and transshippers and bookstore buyers and assistant editors and coffee boys,” then the answer is still nothing will. Not the Kindle, not the iPad, not an act of Congress.

We need to get past this idea of saving, because the status quo is leaving the building, and quickly. Not just in print of course, but in your industry too.

If you want to know who will save the joy of reading something funny, or the leverage of acting on fresh news or the importance of allowing yourself to be changed by something in a book, then don’t worry. It doesn’t need saving. In fact, this is the moment when we can figure out how to increase those benefits by a factor of ten, precisely because we don’t have to spend a lot of resources on the saving part.

Every revolution destroys the average middle first and most savagely.

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